《溪山行旅图》卷，清，禹之鼎绘，纸本，设色，纵34.8厘米，横309厘米。
本幅右上题“溪山行旅图”。左上题：“文衡山先生溪山行旅图，庚辰长夏为西泠康饴翁老先生摹补尊照成卷，不揣笔墨踈陋，漫应台委，未免布鼓耳。幸大巫教之，广陵禹之鼎敬志。”钤“禹之鼎”、“慎斋”印二方。查升书引首，后纸有王丹林等多家题记。庚辰为清康熙三十九年（1700年），禹之鼎时年54岁。
画面上山峰绵延起伏，江河气象万千。其间草木丰茂，溪流潺潺，又有亭台楼阁，野渡小店，商旅行人往来其中。主人公出现在画面右前方的山路上，他骑着毛驴，行色匆匆，身后两名童子，一负酒葫芦，一负书简，正在互相嬉戏。
此卷是画家应翁嵩年之邀，仿照文徵明《溪山行旅图卷》的笔法描绘翁氏夏日游览山水的情景，可谓是禹之鼎极少见的鸿篇巨制。构图繁密深秀，用笔灵活，点、写、擦、勾、皴、染挥洒自如，干、湿、浓、淡水墨互用，生动地再现了江南秀美怡人的山水之景。主人公的五官轮廓用淡墨勾勒，又施色彩晕染，衣纹用兰叶描，轻重变化有致，形象地表现了久居京城、浮身宦海的主人公对行旅之乐和闲居生活的向往之情。
--------Introduction in English--------
"Xishan Travel Map" Volume, Qing Dynasty, Yu Zhiding Painting, Paper, Colour, 34.8 cm in length, 309 cm in transverse.
The top right title of this picture is "Travel Map of Xishan". Topic on the left: "Mr. Wen Hengshan's travel map to the rivers and mountains, Gengchen Changxia is a copy of Mr. Kang Luan-weng's old photograph of Xiling, and his pen and ink are shabby, so he responds to the Taiwanese Committee. Fortunately, the great witch religion, the tripod of Yuzhi in Guangling. Jun's "Yuzhiding" and "Shenzhai" are printed on both sides. In the first part of the book, there are many inscriptions such as Wang Danlin on the back paper. Gengchen was 39 years old (1700) in Kangxi of Qing Dynasty, and Yu Zhiding was 54 years old.
On the picture, the mountains are rolling and the rivers are full of weather. In the meantime, there are abundant vegetation, rippling streams, pavilions and pavilions, Yedu Shop, among which business travelers come and go. The protagonist appears on the mountain road in front of the right of the picture. He rides a donkey in a hurry. Behind him, two boys, a bottle gourd and a Book slip, are playing with each other.
At the invitation of Weng Songnian, the painter imitated Weng Zhengming's "Picture Volume of Traveling in Xishan Mountain" to depict the scenery of Weng's summer sightseeing, which is a rare masterpiece of Yu Zhiding. The composition is dense, deep and beautiful, with flexible pen, dot, write, rub, hook, chaff, dye and spray freely, dry, wet, thick, fresh water ink interoperability, vividly reproduces the beautiful scenery of the south of the Yangtze River. The protagonist's facial features are outlined in light ink, colored with dizziness, and his clothes are depicted in blue leaves. The changes in weight are delicate. It vividly shows the protagonist's longing for the pleasure of traveling and leisure life who has lived in the capital for a long time.
