《南城詠古诗帖》卷，元，迺贤书，行楷，纸本，纵23.5厘米，横156.6厘米。
卷首自题诗序一则，记此次南城出游诸友人姓名，及各自有感而成诗章十六首。时间是“至正十一年秋八月既望”。卷末署款“是月廿日，辱梦炎进士再访余于金台寓舍，索书前詠，为书之。贤记。”无款印。
鉴藏印有“衣园藏真”、“雪墅”、“教忠堂藏”、“世道”、“弼”、“依竹轩”、“清渚渔隐”、“汪与稽”、“子孙保之”、“吴门小隐”、“芙蓉山房”等。另钤乾隆、嘉庆、宣统御府鉴藏印多方。著录于《石渠宝笈》卷五，刻入《三希堂法帖》卷二十六。从诗序可知，此卷书于至正十一年（1351年），时迺贤43岁。
《南城詠古诗帖》是迺贤存世的重要作品之一，录五言律诗16首，载《金台集》卷二，所詠皆大都城塔庙、楼观、园亭诸胜，如悯忠寺（今法源寺）、妆台、西华潭（今琼岛）及太液池等。
此帖明代为私家递藏，入清则归于内府。1923年，溥仪以赏赐为名将此帖由溥杰带出宫，在经历了半个多世纪的变迁之后，1999年岁末，故宫博物院以重金购回，使之复归紫禁城。
诗帖笔划挺劲，结字疏朗，书风受赵孟頫、张雨、倪瓒诸家影响，工整中饶有逸致。
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"Nancheng Yonggu Poetry Tie" Volume, Yuan, Yu Xianshu, Xingkai, Paper, 23.5 cm vertical, 156.6 cm horizontal.
The preface of the poem is a preface to the poem. It records the names of all friends who went to Nancheng and their own feelings. It is composed of sixteen poems. The time is "in the autumn and August of the Eleventh year". At the end of the volume, the signature "is on the 20th of the month, when Jin Mengyan visited Yu Yutai's apartment again and asked for a book to be sung before asking for it." Xianji." No money stamp.
The collections are printed with "Clothing Garden Tibetan Truth", "Snow Villa", "Jiaozhong Tangzang", "Shidao", "Bi", "Yizhuxuan", "Qingzhu Yuyin", "Wang and Ji", "Zisun Baozhi", "Wumen Xiaoyin", "Furong Shanfang" and so on. In addition, Jun Qianlong, Jiaqing, Xuantong Imperial Palace, Tibet and India. It is recorded in Volume 5 of Shiqu Baodu and inscribed in Volume 26 of Sanxitang Law Tie. From the preface to the poem, it can be seen that this volume was in the eleventh year of Zhizheng (1351), when Jixian was 43 years old.
Nancheng Yonggu Poetry Tie is one of Lu Xian's important works. It records 16 five-character poems and contains Volume 2 of Jintai Collection. All the poems are sung by the great city pagodas, temples, buildings and pavilions, such as Minzhong Temple (today's Fayuan Temple), dressing table, Xihuatan (today's Qiongdao Island) and Taiyechi.
This post was handed over to private collectors in Ming Dynasty and returned to Neifu in Qing Dynasty. In 1923, Puyi took this post out of the palace under the name of reward. After more than half a century of changes, at the end of 1999, the Palace Museum bought it back with heavy money and returned it to the Forbidden City.
The style of writing is influenced by Zhao Mengfu, Zhang Yu and Ni Zan's schools, and there is plenty of leisure in the process of neatness.