董其昌楷书杜诗轴-明朝-楷书

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《杜诗》轴,明,董其昌书,纸本,楷书,纵129.9厘米,横49.6厘米。

  释文:

  配极玄都閟,凭高(原文“虚”)禁御长。守祧严具礼,掌节镇非常。

  碧瓦初寒外,金茎一气旁。山河扶绣户,日月近雕梁。

  仙李盘根大,猗兰奕叶光。世家遗旧史,道德付今王。

  画手看前辈,吴生远擅场。森罗移地轴,妙绝动宫墙。

  五圣联龙衮,千官列雁行。冕旒俱秀发,旌旆尽飞扬。

  翠柏深留景,红梨迥得霜。风筝吹玉柱,露井冻银床。

  身退卑周室,经传拱汉皇。谷神如不死,养拙更何乡。

  杜少陵谒玄元皇帝庙诗,其昌书。

  署款:“杜少陵谒玄元皇帝庙诗,其昌书。”钤“宗伯学士”白文印、“董氏玄宰”白文印。引首印:“玄赏斋”白文印。鉴藏印:“徐紫珊祕篋印”朱文印一方。

  本幅为董其昌书唐代诗人杜甫《冬日洛城北谒玄元皇帝庙》五言排律一首。虽无书写年款,据其风格特点应是董氏中晚年作品。

  董其昌的楷书最早是学颜真卿的多宝塔碑,并撷取颜书笔法变化的精髓,颇具结字宽博外张之势。其书点画浑厚,笔法劲健,结体端稳开张,字、行之间疏朗匀称,从中可窥其书法所受颜真卿的影响。

 

--------Introduction in English--------

 

"Du Shi" axis, Ming Dynasty, Dong Qichang book, paper book, regular script, 129.9 cm vertical, 49.6 cm horizontal.

Annotations:

Supporting the pole Xuan Duzhang, the imperial governor is imprisoned by his height (the original text is "empty"). Keeping strict etiquette, Zhangjie Town is very.

Beyond the early cold of Biwa, the golden stalk is beside it. Shanhe embroidery households, the sun and the moon near carved beams.

Xianli Pangen big, Yilan Yiyeguang. Old family history, morality is king today.

The painter looks at his predecessors. Wu Shengyuan is good at it. Senluo shifts the axis of the earth, wonderful wall of the palace.

Wusheng Lianlongbo, Qianguan Yanxing. The crown is full of beautiful hair, the crown is full of flying.

Cuiper has a deep view and red pears are frosty. The kite blows the jade pillar and the open well freezes the silver bed.

He retired from the humble Zhou Dynasty and passed on to the emperor of the Han Dynasty. If the God of grain is immortal, where is the place to keep his humility?

Du Shaoling's poems on emperor Xuanyuan's temple, his Changshu.

"Du Shaoling's poems on emperor Xuanyuan's temple, his Changshu." Jun's "Zongbo Bachelor" and "Dong Xuanzai" printed in white. Leading Seal: "Xuanwangzhai" in white. "Xu Zishan's Secret Seal" is one side of Zhu Wenyin's seal.

This is Dong Qichang's book Du Fu, a poet of Tang Dynasty, which is composed of five words and one rhyme in his book The Northern Address to Emperor Xuanyuan Temple in Luocheng in Winter. Although there is no written year, according to its style, it should be Dong's works in his middle and old age.

Dong Qichang's regular script was the first multi-pagoda stele of Yan Zhenqing, and it captured the essence of the change of Yan's calligraphy, which had the tendency of broad-mindedness and open-mindedness. His strokes are thick, vigorous, firm and open, and the characters and lines are clear and symmetrical. We can see the influence of Yan Zhenqing on his calligraphy.

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