王铎行草五言律诗轴，绫本，纵262厘米、55厘米。上海朵云轩藏。
内容为五言律诗一首，诗镜苍凉沉郁，字势纵横捭阖。以其诗文、笔意推之，约为王铎四十五岁时之作，其书风已明显转向含蓄蕴藉。像“容”、“离”、“可”、“明”等字行笔从容，着墨润泽，沉雄浑厚。如“虚亭”、“人”、“相邀”、“翔南老亲翁正”等字苍劲老辣，笔势洞圆，神完气足。该作不同于他早期全以力胜而显剑拔弩张的那类作品，整幅气息趋于静穆，躁气渐退。虽然从一些字间连带、字之结体上仍可看到“使力”的痕迹，显得不够自然，但这种书风转变时期的作品对于学习书法的人更具有参考价值。就如目睹正在蜕皮之蝉，看到了其生长变化的最关键时刻。
*花然旅意，客裔酌虚亭。寇警离人歇，萧音入雨灵。杏桃春内冷，天地夜来青。可耐酬明生，钟山有茯苓。
樊君相邀。翔南老亲翁正。 王铎
Wang Duo's cursive five character verse scroll, in silk, 262cm and 55cm in length. Shanghai duoyunxuan collection. The content is a five character rhythmic poem. The mirror of the poem is desolate and gloomy, and the word potential is flexible. Based on his poetry and brushwork, it was written by Wang Duo when he was 45 years old. His style of writing has obviously turned to implication. Characters like "Rong", "Li", "Ke" and "Ming" are written calmly, with moist ink, calm and vigorous. Such as "virtual Pavilion", "person", "invitation", "Xiangnan old relative Weng Zheng" and other words are vigorous and old, with round strokes and perfect spirit. This work is different from his early works, which are full of strength and tension. The whole breath tends to be quiet and the impatience fades away. Although the trace of "making force" can still be seen from the connection between some characters and the structure of characters, which is not natural enough, the works in the period of calligraphy style change have more reference value for people learning calligraphy. Just like seeing a cicada molting, we can see the most critical moment of its growth and change. Interpretation: * flowers travel in Italy, and guests drink in the virtual Pavilion. Kou police leave and rest, and Xiao Yin enters the rain spirit. Apricots and peaches are cold in spring, and the world is green at night. Can bear pay Mingsheng, Zhongshan has Poria cocos. Fan Jun invited. Xiang Nan's old relative Weng Zheng. Wang Duo
