成公绥

《隶书体》------------------------------------------

　　皇颉作文，因物构思；观彼鸟迹，遂成文字。灿矣成章，阅之后嗣，存在道德，纪纲万事。俗所传述，实由书纪；时变巧易，古今各异。虫篆既繁，草藁近伪；适之中庸，莫尚于隶。规矩有则，用之简易。

　　随便适宜，亦有弛张。操笔假墨，抵押毫芒。彪焕*硌，形体抑扬。芬葩连属，分间罗行。烂若天文布曜，蔚若锦绣之有章。

　　或轻拂徐振，缓按急挑。挽横引纵，左牵右绕。长波郁拂，微势缥缈。工巧难传，善之者少；应心隐手，必由意晓。

　　尔乃动纤指，举弱腕，握素纨，染玄翰。彤管电流，雨下雹散。点*折拨，掣挫安按。缤纷络绎，纷华灿烂。絪緼卓荦，一何壮观！繁缛成文，又何可玩！章周道之郁郁，表唐虞之耀焕。

　　若乃八分玺法，殊好异制；分白赋黑，棋布星列。翘首举尾，直刺邪制；缱绻结体，劖衫夺节。

　　或若虬龙盘游，蜿蜒轩翥；鸾凤翱翔，矫翼欲去。或若鸷鸟将击，并体抑怒，良马腾骧，奔放向路。

　　仰而望之，郁若宵雾朝升；游烟连云；俯而察之，漂若清风厉水，漪澜成文。

　　重象表式，有模有概；形功难详，粗举大体。

[说明]成公绥(231-273) 西晋文学家。字子安。东郡白马（今河南滑县）人。他博涉经传,闲默自守,不求闻达。张华很看重他，“每见其文，叹伏以为绝伦”（《晋书·成公绥传》），举荐为太常博士。他擅长辞赋。梁代刘勰《文心雕龙·诠赋》将他与陆机并列，以为其赋“□绩于流制”。今存赋20余篇,多系残篇。他雅好音律,曾作《啸赋》、《琴赋》、《琵琶赋》等。其中《啸赋》以细致生动的笔法描绘了“声不假器,用不借物”的长啸,认为啸具有悠扬婉转的音韵之美和“因形创声,随事造曲,应物无穷”的自然神趣，此赋文辞清隽，被萧统《文选》收录。此外存诗数首。

　　《隶书体》一文选自明代张溥辑的《成公子安集》，盛赞各体书中惟有隶书繁简中庸、规矩有则，用之适宜。

Lishu style ------------------------------------------- Huang Jie's composition, conceived because of things; Watching the bird's tracks, they became words. Canyi becomes a chapter. After reading the heirs, there is morality, discipline and everything. What is preached by the common people is actually written by the book; Time changes skillfully and easily, which is different from ancient and modern times. Insect seal characters are numerous, and grass GAOs are nearly false; The golden mean is more suitable than Li. There are rules, which are easy to use. Casual fit, but also relaxation. Using pen and false ink, the mortgage is fine. It is bright and bright, and its body is in cadence. Fern and flower are connected, and they are divided into groups. It is as rotten as astronomical cloth and as beautiful as a chapter. Or gently brush and slowly vibrate, press slowly and pick quickly. Pull horizontally and lead vertically, pull left and turn right. A long wave blows with a misty potential. Skill is hard to spread, and few are good; If you hide your hand from your heart, you will know it from your mind. You move your fingers, raise your weak wrist, hold Su Wan and dye Xuan Han. Tongguan current, rain and hail scattered. Click * to fold and press. Colorful stream, colorful and brilliant. What a spectacle! Red tape, how can we play! Yu Huanzhi, Yu Yuzhang of the Tang Dynasty. If it is an eight part seal method, it is very good for different systems; It is divided into white and black, with a checkered array of stars. Raise your head and tail and stab the evil system directly; Love knot, tie shirt and tie knot. Or if you travel in a circle of dragons, winding and xuanzhu; The Phoenix and Phoenix soar and straighten their wings to go. Or if the birds of prey will strike and suppress their anger, the good horse will soar and run to the road. Looking up and looking at it, it is as gloomy as the night fog rising; You smoke and clouds; Overlooking and observing it, it floats like a clear wind and fierce water, and the ripples are written. Double image expression, modular and general; It's hard to detail the form work, but it's rough. [note] Cheng Gongsui (231-273) was a writer in the Western Jin Dynasty. Zian. Dongjun white horse (now Huaxian County, Henan Province) people. He dabbled in scriptures and biographies, and was idle and self-conscious without seeking information. Zhang Hua attached great importance to him. "Every time he saw his writing, he sighed and thought it was peerless" (Jin Shu · biography of Cheng Gongsui), and recommended him as Dr. Taichang. He is good at Ci and Fu. Liu Xie of Liang Dynasty juxtaposed him with Lu Ji in his "Wen Xin Diao Long Quan Fu" and thought that his Fu was "outstanding in the flow system". Now there are more than 20 Fu articles, most of which are incomplete. He is elegant and good at melody. He has made Xiao Fu, Qin Fu, Pipa Fu and so on. Among them, "Xiao Fu" describes the long Xiao with detailed and vivid brushwork of "sound is not false, use not borrow things", and believes that Xiao has the beauty of melodious and graceful phonology and the natural charm of "creating sound according to form, making music according to things, and responding to infinite things". This Fu has clear and meaningful words and is included in Xiao Tong's Anthology of works. In addition, save several poems. The article "Lishu style" is selected from the "An Ji of chenggongzi" compiled by Zhang Puji of the Ming Dynasty. It praises that only the Lishu style is complex and simple, moderate and has rules, which is suitable for use.