贾鲁1954年出生于北京，虽然生活在中国，迦罗担任手术室护士，一个女演员和杂志编辑。1980年，她考入中央工艺美术学院和设计（中央工艺美术学院），现在的一部分，清华大学和涉猎范曾，于1983年毕业。

1983年，加璐离开中国学习艺术在加拿大，先在艺术多伦多学派，后来成为一名研究生约克大学视觉艺术学院。她被选为安省中国美术家协会会员。她的第一个主要的个展是在萨尼亚的公共美术馆于1989年，并在埃德蒙顿艺术画廊（现为阿尔伯塔美术馆）于1994年从1983年到1995年，她的工作主要是在中国水墨画和混合媒体，并展出。她在安大略省和阿尔伯塔省商业画廊工作 1993年在日本和中国，在那里她进行了广泛的研究，在保留了中国的形象化的艺术-贾鲁从1990年的工作莫高窟的敦煌和相信的“世界最大的佛教壁画”计量700平方米的设计。

1995年，在欧洲旅行后，迦罗改变了她的媒介布面油画，并开始创建逼真的比喻工作。

1997年迦罗搬到了洛杉矶，她继续生活和工作。从1997年到2007年，她在国际艺术博览会，并在整个美国和加拿大每年的画廊展出。1999年，她被邀请三个艺术家代表中国之一，展出的15画联合国教科文组织在中国文化周巴黎。在2000年，她是中国第一位举办个人展览在联合国纽约总部。她的限量版打印“浑天仪”，是由美国艺术杂志的前5打印2000中选出的。给了她的关键城市圣地亚哥同年被评为荣誉市民。在2002年，她展出她的作品在亚太博物馆在帕萨迪纳，并设计了“生命之女神”中国纪念雕像在关岛国际机场拔地而起，根据她的画“火焰”。2009年，她回到了中国要在CIGE和艺术北京博览会参加上海国际艺术博览会和艺术北京，并在2010年，并且是一个两小时的纪录片的主题CCTV-9 。2011年，她被顶中选出50个最认可的中国在世界上的环球时报。

加璐的作品包括中国水墨画，油画，水彩画，素描，雕塑和版画。她早期的作品反映强烈的她的老师的传统美学范曾，但她在加拿大展出的时候，她是通过一系列混合介质的自画像批评在中国新的社会发展，消费主义和权力关系。她在油成熟的作品展示了佛教的兴趣和纯粹的女性美， ，可以被看作是男性的，感性的方式来女性裸体的响应。不过，她还画男性形象。在众多的采访，她强调她的工作，她描述为美的重要性，“力量和智慧。”
 

Jia Lu was born in Beijing in 1954, while living in China, as Jia collect operation room nurses, an actress and a magazine editor. In 1980, she was admitted to the central Academy of Fine Arts and design (central Academy of Fine Arts), now part of the Tsinghua University and studied fan Zeng, graduated in 1983.
1983, Lu Chinese left to study art in addition to Canada, first in the Toronto art school, and later became a graduate of York University, College of Visual Arts. She was elected member of the China artists association. Her first major solo exhibition in Sarnia Public Art Museum in 1989, and in the art gallery of Edmonton (now the Alberta Museum of Art) in 1994 from 1983 to 1995, her work is mainly in Chinese ink painting and mixed media, and display. She is in Ontario province and commercial galleries in Alberta province 1993 in Japan and Chinese, she conducted extensive research there, while retaining the China of figurative art - Jia Lu from the 1990 Mogao Grottoes in Dunhuang and believe that the "world's largest Buddhist mural" measuring 700 square meters of design.
In 1995, traveling in Europe, Jia collect changed her media on canvas, and began to create realistic figurative work.
Jia collect 1997 moved to Losangeles, she continued to live and work. From 1997 to 2007, she exhibited at the international art fair and throughout the United States and Canada each year. In 1999, she was invited to represent one of the three artists in China, the exhibition of the 15 paintings of UNESCO in the Chinese cultural week in Paris. In 2000, she was the first Chinese to hold a solo exhibition at the United Nations headquarters in New York. Her limited edition print time, by the American Art Magazine Top 5 print 2000 selected. She was awarded the honorary citizen of Santiago in the same year. In 2002, she exhibited her works in the Asia Pacific Museum in Pasadena, and the design of the "living goddess" Chinese memorial statue at Guam International Airport after another, according to her paintings "flame". In 2009, she returned to China to attend the Shanghai International Art Fair and the art of Beijing in CIGE and the art fair in Beijing, and in 2010, and is the subject of a two hour documentary CCTV-9. In 2011, she was selected from the top 50 most recognized Chinese global times in the world.
Jia Lu's works include China ink painting, oil painting, watercolor painting, drawing, sculpture and printmaking. The traditional aesthetic Fanzeng her early works reflect her strong teacher, but when she exhibited in Canada, she is through a series of mixed media self portrait Chinese criticism in the new social development, consumerism and power relations. Her works in oil maturity show the interest of Buddhism and the sheer beauty of women, which can be seen as masculine, sensual ways to respond to female nudity. However, she also painted male image. In numerous interviews, she stressed the importance of her work, which she described as beauty, "strength and wisdom."