杨峰，生于长春市，毕业于东北师范大学美术系，吉林省社会科学院民族研究所研究员，东北民族信仰与民俗文化研究室主任。中国美术家协会会员、中国文艺评论家协会会员、吉林省美术家协会理事、吉林省美协理论委员会副主任、吉林省中国画学会理事、吉林省新闻出版局书画院常务副院长、中国人类学民族学研究会会员、中国民俗学会会员、中国出版工作者协会装帧艺委会会员、吉林省摄影家协会会员。
1992年在吉林省革命博物馆举办《杨峰画展》，中央电视台新闻联播、《美术观察》等媒体报道、评论。从事美术编辑工作二十余年，其中国画作品多次入选中国美协主办的画展，在吉林省美术家协会主办的展览中获奖八次。封面设计、插图作品在全国及省级展览中获奖二十余次。出版著作2部，在省级以上期刊、报纸、论文集发表论文50多篇。主持、专业负责与参加并完成省部级研究课题多项。
研究方向
主要研究民族信仰、民俗文化、民间美术、美术理论、民俗摄影等。
科研成果
1、学术著作
《吉林民俗审美新论》（独著），24万字，吉林文史出版社，2013年出版。
《杨峰黑白画作品集》（独著），吉林美术出版社，2005年出版。
《吉林省装帧艺术家作品选》（副主编），吉林美术出版社，2001年出版。
《美术世界》（主编）24期，吉林画报，2008年至2013年。
2、学术论文
《论“草人董”的草编作品的艺术特征》（独撰），《通化师范学院学报》2016年1期。
《反思吉林工艺美术行业发展中存在的问题》，《河南教育学院学报》，2015年1期。
《陈涤“二人转”水墨人物画的审美意蕴和市场价值》，《艺苑》，2015年11期。
《多彩世界领悟黑白——曹文汉的木刻坚守》，吉林日报，2015年7、28。
《环境优雅艺术氛围浓郁的伊比利亚半岛—葡萄牙、西班牙艺术考察随笔》吉林日报，2015年12月8日。
《吉林打牲乌拉衙门和清宫祭祀》（第一作者），《长春市委党校学报》2014年2期。
《高句丽壁画四神图像审美浅析》，《东北史地》2014年3期。
《后府建筑雕刻的象征寓意》，《中国社会科学报》2014年月25日。
《彭祖述《石头记》微刻艺术的审美研究》，《作家》2013年第6期。
《满族说部中的猎鹰文化记忆》，《黑龙江社会科学》2013年6期。
《古今奇志辟鸿蒙—独树一帜的彭祖述红楼微雕艺术》，吉林日报2013年6月25日。
《东丰农民画中的满族民俗文化研究》，《中国美术》2012年第6期。
《方寸之地的黑白插图艺术》，《艺术教育》2012年12期。
《关东泥土塑关东人》，《中国社会科学报》2012年5月11日。
《期刊整体设计琐议》，《美术界》2012年10期。
3、科研项目
1、《东丰农民画中的满族民俗文化研究》（主持），吉林省社会科学院规划课题2012年。
2、《吉林省民族节庆研究（承担朝鲜族部分）》吉林人民出版社，吉林省规划课题2012年。
3、《吉林历史与文化研究丛书》吉林省社会科学基金重大委托项目。》（吉林市部分36000字），吉林人民出版社，2015年。
4、获奖情况
2012年整体设计吉林画报《美术世界》首届华文出版物艺术设计大赛中获铜奖。
2007年国画作品《万物皆春》吉林省美术家协会主办的建国58周年美术展获二等奖。
2006年插图《浪漫》吉林省首届美术编辑书画、装帧作品展获一等奖并获成就奖。
2002年被中共长春市委宣传部、市文联命名为“长春百名文艺新秀”称号。
2000年论文《试论期刊整体设计》吉林省第二届装帧艺术论文评奖优秀奖。
1999年封面设计《心理素质与咨询》中国美术家协会主办的第五届全国书籍装帧艺术展览获优秀作品奖。
1998年封面设计《心理素质与咨询》第十二届北方十省市（区）书籍装帧艺术作品展获一等奖。
1996年获第二届吉林省新闻出版优秀编辑奖。
1995年封面设计《现代交际》获第八届吉林省社会科学期刊编辑一等奖。

Yang Feng, born in Changchun City, graduated from the Department of fine arts of Northeast Normal University, researcher of Ethnic Research Institute of Jilin Academy of Social Sciences, and director of northeast ethnic belief and folk culture research office. Member of China Artists Association, member of China Literary Critics Association, director of Jilin Artists Association, deputy director of theoretical Committee of Jilin Artists Association, director of Jilin Chinese Painting Association, executive vice president of calligraphy and Painting Institute of Jilin press and Publication Bureau, member of China anthropology ethnology research association, member of China Folklore Society, member of binding art committee of China Publishers Association, member of Ji Member of Lin Photographers Association.

In 1992, Yang Feng's painting exhibition was held in Jilin Revolution Museum. CCTV news broadcast, art observation and other media reported and commented. He has been engaged in art editing for more than 20 years, among which Chinese painting works have been selected into the exhibition sponsored by China Artists Association for many times, and won eight awards in the exhibition sponsored by Jilin Artists Association. Cover design and illustration works won more than 20 awards in national and provincial exhibitions. He has published 2 works and more than 50 papers in journals, newspapers and anthologies at or above the provincial level. Preside over, take charge of, participate in and complete many provincial and ministerial research projects.

Research direction

It mainly studies ethnic belief, folk culture, folk art, art theory, folk photography, etc.

Achievements in scientific research

1. Academic works

New aesthetic theory of Jilin folk custom, 240000 words, Jilin literature and history press, 2013.

Yang Feng's collection of black and white paintings, Jilin fine arts press, 2005.

Selected works of binding artists in Jilin Province (deputy editor in chief), Jilin Art Press, 2001.

Art world (editor in chief) 24 issues, Jilin pictorial, 2008-2013.

2. Academic papers

On the artistic characteristics of "Cao Ren Dong"'s works of straw compilation (independent), Journal of Tonghua Normal University, No. 1, 2016.

Reflection on the problems existing in the development of Jilin arts and crafts industry, Journal of Henan Institute of education, No. 1, 2015.

"The aesthetic meaning and market value of Chen Di's" Errenzhuan "ink figure painting", art garden, 2015, issue 11.

"Understanding black and white in a colorful world: Cao Wenhan's wood carving persistence", Jilin daily, July 28, 2015.

An essay on the investigation of Portuguese and Spanish art in Iberian peninsula with elegant environment and strong artistic atmosphere, Jilin daily, December 8, 2015.

The first author, Jilin dahuawula Yamen and Qing palace sacrifice, Journal of Changchun municipal Party school, 2014, issue 2.

An aesthetic analysis of the images of the four gods in Koguryo murals, history and geography of the northeast, 2014, issue 3.

Symbolic meaning of Houfu architectural sculpture, China Social Science Journal, 25, 2014.

The aesthetic study of micro carving art in the story of stone by Peng Zushu, the author, 2013, issue 6.

"Falcon cultural memory in the Manchu saying Department", Heilongjiang Social Science, 2013, issue 6.

"Ancient and modern records create Hongmeng - a unique micro carving art of Red Mansions by Peng Zushu", Jilin daily, June 25, 2013.

Research on Manchu folk culture in Dongfeng peasant paintings, China art, 2012, issue 6.

"Black and white illustration art in every corner", art education, 2012, 12.

Guandong clay shapes Guandong people, China Social Sciences Journal, May 11, 2012.

On the overall design of the journal, art circle, 2012, issue 10.

3. Scientific research projects

1. Research on Manchu folk culture in Dongfeng peasant paintings (presided over), planning project of Jilin Academy of Social Sciences, 2012.

2. Research on ethnic festivals in Jilin Province (undertaking the Korean part), Jilin People's publishing house, Jilin Province Planning Project, 2012.

3. Jilin history and culture research series, a major entrusted project of Jilin social science foundation. 》(36000 words in Jilin City), Jilin People's publishing house, 2015.

4. Awards

In 2012, the overall design Jilin pictorial art world won the bronze medal in the first Chinese publication art design competition.

In 2007, the Chinese painting "everything is spring" won the second prize in the 58th anniversary art exhibition sponsored by Jilin Artists Association.

In 2006, the first exhibition of art editing, painting and binding works of Jilin Province, illustrated romance, won the first prize and achievement award.

In 2002, it was named "one hundred new artists in Changchun" by the Propaganda Department of the CPC Changchun Municipal Committee and the Municipal Federation of literary and art circles.

In 2000, the paper "on the overall design of Periodicals" was awarded the excellent prize in the second edition of Jilin Province.

In 1999, the fifth national book binding art exhibition sponsored by China Artists Association, psychological quality and consultation, the cover design, won the excellent work award.

In 1998, the cover design psychological quality and consultation won the first prize in the 12th book binding art exhibition of ten northern provinces (regions).

In 1996, he won the second Jilin Province Press and publication excellent editor award.

In 1995, the cover design "modern communication" won the first prize of the 8th edition of Jilin Social Science Journal.