画家杨飞这幅题款为《空山寂历道心生，虚谷迢遥闻野鸟鸣》的国画山水作品，以虚实相映的笔墨，古朴典雅的色彩，描绘了古寺绰约、气韵生动的山水美景。作品线索出自唐张说《灉湖山寺》：“空山寂历道心生，虚谷迢遥野鸟声。禅室从来尘外赏，香台岂是世中情。云间东岭千寻出，树里南湖一片明。若使巢由知此意，不将薜萝易簪缨。”从画面经营的意象上看，画家取景独特，站在山腰一眼望去，呈现出山势崇高浑厚之感，对面雾霭迷蒙浩如烟海，古寺屋顶隐约显露。作品着意表现雄浑深邃的意境，给人一种气度磅礴，变幻莫测的美感。

中国画源远流长，讲求笔墨韵味与画面意境。画家杨飞的国画山水作品创造的生动形象和笔墨意趣，使画面意境幽远，极具观赏性。另一幅题款为《南川粳稻花侵县，西岭云霞色满堂。共道进贤蒙上赏，看君几岁作台郎》的国画山水作品，山高水长，苍松挺立，意境幽远。画家善用留白，画面上那大面积的无墨之处，却营造出艺术的梦幻之景，表达出非常优美的情趣。作品构图新颖，疏密安排得当，有节奏，有韵律，雅而不俗，处处表现出画家的卓识和巧思，给人一种赏心悦目的感受。

画家杨飞的山水画，意境苍茫，亦有一股清新之气，边款小字，亦很隽丽，给画面一种补充，一种诠释。这幅题款为《蓝水远从千涧落，玉山高并两峰寒》的国画山水作品，线索出自杜甫《九日蓝田崔氏庄》：“老去悲秋强自宽，兴来今日尽君欢。羞将短发还吹帽，笑请旁人为正冠。蓝水远从千涧落，玉山高并两峰寒。明年此会知谁健，醉把茱萸仔细看。”画面上山高水长，雾霭弥漫，石奇树美，屋舍古朴。画家于空间分割处理精当外，画面上留出空白，所谓“留白之法”，似云似水，或非云非水，蜿蜒曲折，风云流动，使画面产生空灵、生动的意境。作品从整体看结构严谨，气势磅礴，拆开来看，笔笔有根，经得起推敲。

杨飞山水画作品

 2011年 作品《檐》入选重庆青年双年展。

2012年 作品《明人笔意》入选四川美术学院黄原奖学金作品展。

2013年 毕业作品《云满山头树满溪》等多幅作品被重庆大学美术馆收藏。

2014年 参加八月画会首届山东图腾文化艺术节作品展。

2014年 参加北京远阳英明美术馆“乃好水墨画”青年画家作品展。

2015年 作品《北冥有鱼》参加首都博物馆画院中国画作品展。

2015年 作品《仄径牧歌》在中国美协主办的“美丽新思路，翰墨定西行”全国中国画 油画作品展入选。

2015年 作品《山中白云》在中国美协主办的“翰墨齐鲁”全国中国画作品展入选。

2015年 作品《乱云飞渡》在中国美协主办的“水墨彭城”全国写意画作品展入选。

2015年 作品《城欲摧》在中国美协主办的“中国梦 黄山魂”全国山水画作品展入选。

2015年 作品《掩心之声》在中国美协艺术委员会“写意中国——庆祝中华人民共和国成立66周年暨首届中国画水墨大展”获优秀奖。

2016年 作品《驰五律之道》参加李可染画院青年画院邀请展，李可染画院 北京。

2016年参加一带一盟--国际名家书画巡回展 北京。

2017年参加中国当代青年水墨年鉴邀请展，万营空间 石家庄。

2017年参加独墅湖夏日新锐艺术季展，独墅湖艺术中心 苏州。

杨飞山水画作品

 The painter Yang Fei's Chinese landscape painting entitled "Silent Mountain, Hearing Wild Birds'Sounds from a Far Away" depicts the beautiful scenery of the ancient temple with its simple and elegant colors and realistic brush and ink. The clue of the work comes from Tang Zhang's "Fuhu Mountain Temple": "The empty mountain is quiet, and the sound of wild birds is far away from the valley. Zen rooms are always admired from outside. Is Xiangtai the world's love? Clouds between the East Ridge Qianxun, Shuli South Lake a bright. If the nest knows this, it will not make the Pueraria Pueraria easy to hack. From the image of picture management, the painter has a unique view, standing on the hillside and looking at it, showing a sense of lofty and thick mountain situation, facing a vast sea of mist, the roof of the ancient temple is faintly exposed. The work intentionally expresses vigorous and profound artistic conception, giving people a magnificent and unpredictable aesthetic feeling.

Chinese painting has a long history, stressing the charm of brush and ink and the artistic conception of the picture. The vivid image and the interest of brush and ink created by the painter Yang Fei's Chinese landscape paintings make the picture artistic conception remote and highly ornamental. Another title is "Nanchuan Japonica Rice Flower Invasion County, Xiling Yunxia Mantang". Going forward together and enjoying the reward of virtue, see how old you are as a Tailang, the Chinese painting landscape works, mountains and rivers are long, pines stand upright, the mood is remote. Painters make good use of blank space, the large area of ink-free on the screen, but create a fantastic scene of art, expressing a very beautiful interest. The composition of the work is novel, carefully arranged, rhythmic, rhythmic, elegant but not vulgar, showing the artist's wisdom and ingenuity everywhere, giving people a pleasant feeling.

Yang Fei's landscape paintings have a vast artistic conception. They also have a fresh air. The small words on the edge are also very meaningful. They provide a supplement to the picture and an interpretation. This painting, titled "Blue Water Far Down from a Thousand Rivers, Jade Mountain High and Two Peaks Cold", is based on Du Fu's "Nine Days Blue Field Cui's Village": "Old to grieve for the autumn, strong to forgive oneself, happy to do your best today. Shy to return short hair to blow a hat, laugh to invite others to crown. Blue water falls from a thousand streams, and the Yushan Mountains are both high and cold. Next year, we will know who is healthy and look carefully at the dogwood when drunk. In the picture, mountains and rivers are long, mist is diffuse, rocks and trees are beautiful, and the house is simple. Outside the space division, the painter leaves blanks in the picture. The so-called "method of leaving blanks" resembles clouds and water, or non-clouds and non-water, winding and winding, which makes the picture produce an ethereal and vivid artistic conception. From the overall point of view, the structure of the work is rigorous and powerful, and from the point of view of disassembly, the pen has a root and can withstand deliberation.

The 2011 work "eaves" was selected for the Chongqing Youth Biennale.

In 2012, "Ming Ren Biyi" was selected for the Xanthan Scholarship Exhibition of Sichuan Academy of Fine Arts.

In 2013, many of his graduation works, such as "Yunmanshan Tou Shumanxi", were collected by the Art Museum of Chongqing University.

In 2014, he participated in the exhibition of works of the first Shandong Totem Culture and Art Festival of the August Painting Fair.

In 2014, he participated in the Young Artists'Works Exhibition of "Naihao Ink Painting" at Yingming Art Museum, Yuanyang, Beijing.

In 2015, his work "Fish in the North" participated in the exhibition of Chinese paintings of the Capital Museum Academy of Painting.

In 2015, the work "Pastoral Songs of Di Jing" was selected in the National Oil Painting Exhibition of "New Beautiful Thoughts, Hanmoding Westbound" sponsored by the Chinese Association of Arts.

In 2015, the work "White Cloud in the Mountain" was selected in the National Chinese Painting Exhibition of "Hand-written Qilu" sponsored by the Chinese Artistic Association.

The 2015 work "Chaotic Cloud Feidu" was selected in the National Freehand Brushwork Exhibition of "Pengcheng with Ink and Water" sponsored by the Chinese Association of Fine Arts.

The work "Destroying the City" in 2015 was selected in the National Landscape Painting Exhibition of "Chinese Dream of Huangshan Soul" sponsored by the Chinese Association of Fine Arts.

In 2015, the work "The Sound of Covering the Heart" won an excellent award in the "Freehand China - Celebrating the 66th Anniversary of the founding of the People's Republic of China and the First Chinese Painting and Ink Exhibition" of the Arts Committee of the Chinese Association of Arts.

In 2016, his work "The Way of Five Laws" participated in the invitation exhibition of the Youth Art Academy of Li Keran Painting Academy, Beijing.

In 2016, he participated in the International Famous Artists'Calligraphy and Painting Tour Exhibition in Beijing.

In 2017, he participated in the invitation exhibition of Chinese Contemporary Youth Ink Yearbook, Wanying Space Shijiazhuang.

In 2017, he participated in Dushu Lake Summer Art Season Exhibition, Dushu Lake Art Center, Suzhou.